Looping

It’s the start of a new semester, a stripped-down one that sees me teaching two sections of Intro to Media Writing and… that’s it. After many years of working a full allotment of three classes a term, the switch feels good, liberating, relaxing. I plan to do some good teachin’, you know?

I also plan on reaching out to more students as the years go by. It’s not as if I didn’t know that former students are possessing good jobs, good careers; hell, my first students are pushing 35. But I hadn’t had the opportunity to reach out for work from one of them. And that’s still true, for the most part.

Last week, though, I took advantage of Gabe Bullard’s interest in the graffiti tagger Brr(r). Gabe’s based in Louisville, working for the public radio station there, WFPL. Brr(r)’s also based in Louisville, in the job of gettin’ up. I approached Gabe about a St. Louis perspective piece on Brr(r), as he hit local walls last summer. He accepted the offer. I wrote it up. And now it’s published.

My attempts to control the graffiti coverage of the Midwest takes another tentative step forward with this.

 

The Lessons of Digital Archaeology

Winter break, December ’13 and January ’14.  Here’s how I’ll remember it:

I spent the three weeks sitting in various coffeeshops, watching cars get caught on snow banks, as I sifted through hundreds of online clips. I’ve added those that were semi-organized to those that were lost-and-forgotten, creating a series of internal, clip file pages for this site. It’s taken roughly 30 hours to clean things up, in total: opted for a new theme; updated the Projects and Video/Film pages; cleaned the corners just about everywhere else, too. Mostly, though, the time was spent on long, tedious hours of cutting and pasting links to old articles, collapsing a former clips page on WordPress into this site, while rounding up every orphaned story I could locate.

It often felt like a pointless job. Vain, shoegazing, time-chewing. A job with no set payoff. Admittedly, there have times when I’ve remembered certain, whole periods of life, as well as reading stories that remind me of how much I’ve forgotten. (I interviewed former Cards pitcher Greg Mathews once? Really? Well, yeah, the web says I did.) What an odd way to learn your personal history, played out on the pages of local magazines, newspapers and websites.

Weirdly, though, I feel better about things now; like, totally better. There’s an inexplicable sense of completion and organization in puzzling through and completing tasks like this, even if I realize that there are hundreds of clips that’ll never be placed here. Because I’m old and predate the digital era. Because websites go through redesigns that scuttle your work into digital oblivion. Because I’ve written for a few latter-era magazines that are still print-only.

In a few months, I’ll forgot about the annoyance (and the occasional wrist pain). I’ll be able to sit back and realize that I’ve done some interesting work and took part in some worthwhile projects.

As I had to sort through dozens of RFT pieces (among the relative few that lived online at the time of my departure in ’99), an idea struck me. I’ve had the notion of a South City column. I’ve offered it to other media folks, with no takers. And the RFT would allow for a certain kind of storytelling. I sent out a note to an editor that I know there; to date, I’ve heard nothing back. In this exchange was a good lesson and one that I should’ve taken to heart the last two times I’ve freelanced for the RFT in my post-staffer days. There’s no future in the RFT for me. There’s an interesting, long past. But no future.

In my brain’s another idea and it’s all about the future; interestingly, though, the person that would be key in making it work is another RFT alum. Those are the kinds of connections that I should associate with those RFT years, collaborating with the friends and former co-workers with whom there could be another act. With luck, I might even be able to talk myself into all this future speak. Wish me luck, ’cause these last few weeks have been spent with all my waking attention spent looking back.

Break’s just about over now. It’s just about done.

Thirteen Articles: 2013

A selection of clips from 2013. Can live with these. Can even highlight them. Clicks are the coin of the realm and I always appreciate a shared link. It’s been a year.

Loss of Mangia Lunch Will Hurt St. Louis Culture, stlbeacon.org, 3.7.13
Jimmy Tebeau is Still ‘Truckin’ While Waiting for the Law, stlbeacon.org, 3.21.13
Tuning Into Memories of KDHX, stlbeacon.org, 4.19.13
The Magic Door, curatormagazine.com, 6.24.13
A Live Report From Ert Night, stlmag.com, 7.17.13
Remembering Bob Reuter, stlmag.com, 8.5.13
The Eternal Debate: Graf as Art, nextstl.com, 8.7.13
Like PB’n’J: Urban Exploration and Graffiti, nextstl.com, 8.21.13
A Poet’s Intensity, A Poet’s Short Life, stlbeacon.org, 9.26.13
Slideshow: Artica 2013, stlmag.com, 10.15.13
Zombie Road: Ghosthunting in Wildwood, stlmag.com, 10.29.13
Dead Before Death, stlbeacon.org, 12.6.13
Slideshow: Championship Wrestling in East Carondelet, stlmag.com, 12.17.13

E-book, Live

The e-book I’ve been working on with the St. Louis Beacon is available now, for use on Kindles, Kindle apps and iPads.

It’s available at Amazon here.

Jarred Gastreich shot a bit of video for the project.

KDHX Fall Membership Drive

A full week of pitching ahead. Please put a couple dimes together for your pal, if you don’t mind.

Friday, 10/4: Friday Afternoon Show, 2-4 p.m.; myself and Andy Coco for two hours of rock music
Friday, 10/4: Blues in the Night, 5-7 p.m.; sitting out an hour, then participating for two with Art Dwyer
Monday, 10/7: Talk Block, 8-11 p.m.; running the board and dropping in pitches over five shows, yikes!
Wednesday, 10/9: Juxtaposition, 7-9 p.m.; sitting in with Rob Levy, on one of the station’s longest-running shows
Friday, 10/11: Friday Afternoon Show, 2-4 p.m.; more rock music, this time with Kate of Beep Beep Boop Boop
Friday, 10/11: Blues in the Night, 5-7 p.m.; pitching with Art Dwyer over the second and third hours of BitN

I should also note that the Friday Afternoon Show’s been a joy to do for the past five weeks. The show’s slated to cease with the second week of pledge drive. I’ve written about being back on-air with a weekly (if temporary) slot for the October issue of Eleven magazine, available on newsstands any day now.

Five Weeks on KDHX: Fridays, 2-4 PM

Along with some other programming shifts, Bob Reuter’s untimely passing has opened up his longtime Friday afternoon shift. When a temporary hosts was requested, I hopped on the opportunity and look forward to helming the “Friday Afternoon Show” for a short-term run. It’ll air through September on Fridays, from 2-4 CST on 88.1 fm or kdhx.org.

First playlist is up here.